MAY 15, 2019
Long Live Our 4Billion Year Old Mother:
black feminist praxis, indigenous resistance, and cultures of queer possibility
AFRICAAM 39 / NATIVEAM 39 / CSRE 39 / FEMGEN 39
Week 7: Joy Harjo: Conflict Resolution for Holy Beings
Joy Harjo’s eight books of poetry include Conflict Resolution for Holy Beings, How We Became Human: New and Selected Poems, and She Had Some Horses. Harjo’s memoir Crazy Brave won several awards, including the PEN USA Literary Award for Creative Non-Fiction and the American Book Award. She is the recipient of the Ruth Lilly Prize from the Poetry Foundation for Lifetime Achievement, the 2015 Wallace Stevens Award from the Academy of American Poets for proven mastery in the art of poetry; a Guggenheim Fellowship, the William Carlos Williams Award from the Poetry Society of America, and the United States Artist Fellowship. In 2014 she was inducted into the Oklahoma Writers Hall of Fame. A renowned musician, Harjo performs with her saxophone nationally and internationally, solo and with her band, the Arrow Dynamics. She has five award-winning CDs of music including the award-winning album Red Dreams, A Trail Beyond Tears and Winding Through the Milky Way, which won a Native American Music Award for Best Female Artist of the Year in 2009. Forthcoming in the fall of 2019 is a book of poetry from Norton, An American Sunrise. She lives in Tulsa, Oklahoma.
How can art facilitate a culture that values women, mothers, transfolks, caregivers, girls? How can black, indigenous, and people of color frameworks help us reckon with oppressive systems that threaten safety and survival for marginalized people and the lands that sustain us? How can these questions reveal the brilliant and inventive forms of survival that precede and transcend harmful systems toward a world of possibility? Each week, this course will call on artists, scholars, and organizers of color who clarify the urgency and interconnection of issues from patriarchal violence to environmental degradation; hyper-criminalization to legacies of settler colonialism. These same thinkers will also speak to the imaginative, everyday knowledge and creative healing practices that our forebears have used for millennia to give vision and rise to true transformation.
Students gathered in community for Vincent Martell’s Artist Talk on Friday, February 22nd. Martell, a black, Chicago-based film director and creative, came to campus to screen the pilot episode of his upcoming web series Damaged Goods. The series itself revolves around four creatives of color in the Chicago queer, poc, art scene. The group was…Read More
At IDA, we’ve had a beautiful beginning to our year. This quarter we’ve welcomed a new team of 11 student fellows, who have shared with us their artistic crafts and visions for the program. We opened the year with our annual Open House, where we shared music and joy with musician Calina Lawrence, whose music…Read More
On Sunday, March 4th, the Committee on Black Performing Arts (CBPA) hosted our debut event as a renewed collective: “Healing in the Afro-Present*: A Divinity Salon.” Our day together started with a land acknowledgment ceremony by Amara Tabor Smith. We then moved into rose water making and guided meditation with A-lan Holt. Jade A. Fair…Read More
On February 27th, 2019, students and community members gathered at the Stanford Humanities Center to welcome poet Fatimah Asghar. Asghar read from her new collection, “If They Come for Us” which Roxane Gay described as “An outstanding collection of poetry . . . wonderful play with form . . . These poems cover so much—identity,…Read More
We were blessed to host the artists of tïna-hanäé and Sabine Holler during the first week of winter quarter 2018. A four-piece Shinto-futurist band from Queens, NY, the Asian American femme artists of tïna-hanäé combine strings, electronics, and taiko drum to explore the intersections of ecological and social realms in their work. Sabine Holler is a…Read More